Sunday, September 23, 2007

I started out as a child

We all started out as children. There is much to be said for the childlike attitude of wonder and discovery, which support investigation and learning and creativity. Some of us, however, don't apparently get much beyond that stage. The downside is the personality trait of someone who has the other childlike characteristics, such as showing off, and demanding immediate gratification, and possessiveness and controlling.

Much of our adult life, I think, is spent in learning how to deal with people who have experienced lopsided development, overcompensating for some perceived weakness by exaggerating the opposite trait. Most often this results in an obsessive need to control.

All of us have a need to control whatever we can in order to reduce the pain or irritation elements of daily living. But some of us put control before understanding. At his trial for heresy, Socrates said, "The unexamined life is not worth living." Controllers suffer either from an excess of self-examination (leading to recrimination and guilt) or from an excess of denial. "We have seen the enemy and it is us", said Pogo.

In our drumming group from time to time, we have new people joining. Some of them are modest hangbackers, who are fascinated by what they hear, and gently try to emulate it until they become more confident. The opposite are the people who come in, think they understand the language of the piece, and end up beating the crap out of it to their own perception of the rhythm. The worst case is the dundun (bass drum) player who thinks he understands the rhythm, but soon loses it and ends up beating the drum at his own pace, or putting in accents where the song begs for silence.

Perhaps one of the most revealing aspects of learning how to perform in an African drum circle is the fact that over time, you begin to realize, if you have any sensitivity to the culture at all, that music is not performance. It is innately spiritual, and it is all about communicating within a group. It is about cooperation and perception, about reigning in your normal need for control in order to appreciate the contribution of others: it is about melding into a whole in order to create a greater. A drum circle is a symphony, or else it's a cacophony.

Some days you just get a little tired of people who don't get it. But then you have to remember that maybe that was how you started too.

Sunday, September 16, 2007

Anything but humdrum

We went up to Oxford to take up a position at the mouth of the Drum Barn driveway, early, early in the morning. It was the morning of the State-to-State Half Marathon, and by popular demand OGADE (or at least those of it who were awake) was to play as the runners and walkers progressed toward Indiana and back.

And play we did. It soon became clear that we could only occasionally match the actual footfalls of the runners, for some were serious marathoners who looked straight ahead, concentrating on their own internal rhythms and shutting out all other distractions, while others moved to a different beat.

The ones who won our hearts were the many who, upon coming within range of our drumming, smiled and grinned and waved and high-fived and yelled "Thank you" and "You're the best" and a few actually shifted their pace to match our relentless thumping. And then there were the ones who were serious enough about their running that you had to look carefully as they passed, but you could see the grin or the tiny uplifted hand motion, or the V-sign with the fingers.

These were throat-lumping moments. Momentarily we beat the drums a little harder, or threw in a little extra syncopation: you couldn't keep from doing it: energy became synergy and the runners and the drummers connected ever so briefly in a meeting of spirits. Then, as the runner or the group passed, we kept our own rhythmic marathon going, for we felt that if we stopped we would somehow break the bond of rhythm, even for those who were no longer within the sound of our drums, gourds, balafon and shakeres.

Special mention must go to Pete, our intrepid leader, whose skill at tuning and playing an array of empty coffee cans is near kin to the finest Caribbean steel drum craftsmanship.

Saturday, September 8, 2007

Pool closing weekend

It is a sad affair. The 16-foot plastic pool with the inflatable collar must be taken down at the end of the season. And the season ends once the nighttime temperatures hit values that are low enough to prevent daytime temperatures from building up to a comfortable level (even with a solar cover). And so, even though the current temperature is 92 F, and the pool is around 86, the comfort level of 89 degrees is no longer sustainable.

Thus, out comes the portable electric pump with the garden hose. This year the weather has been so dry that the water runs off faster, without being absorbed as in years past. But even as we write, a pop-up thunderstorm is muttering its tentative growls. The cats in the window seats are on the alert, which is to say that when a rumbling is heard, their ears twitch, but so far only one eye is open amongst them.

The garden hose will take probably 16 to 18 hours to drain some 2500 gallons; water that has seen considerable action, both human and chemical. Yes, we know that there are test kits and such that allow proper maintenance of pH levels, but in an informal way, the bleaching of a bathing suits and floating toys or the greenish strands of algae have served equally well as harbingers of lack of balance.

On the down side, the pool was a great entertainment center for the younglings. And when they weren't there, it was a fine place to float around and savor a Blue or a Blue Light (none of that wishy-washy American stuff for me).

As in other seasons, this was actually the second pool of the season. In the past, we had cat claw damage on the inflatable collar which rendered the pool unusable, so we went to a metal frame version. This one developed a serious hole in the bottom, probably from the efforts of a mole who came up in the wrong place. The result was a second pool of the inflatable type, because no metal frame ones were locally available by the time the damage became unrecoverable.

I suppose that if you were to amortize the cost of the pool, supplies, electricity and water you'd end up having to charge the swimmers about $3 each for every swim. But it's been a long, droughty summer, and when you're floating there, toes up with a Blue in your hand, you don't think mercenarily. Life is too good, and so short.